Skip to main content

Wild Things Book Review

For anyone whose ever thought about cutting all ties to their life and moving into a dilapidated house in the countryside with their best and closest friends but hasn't done so yet—Wild Things is for you. Laura Kay's characters, best friends El, Ray, Will and Jamie, all move-in together, their hijinks and sweetness bursting through the pages. While this book is heartwarming and fun, I found hoping for more from the romance front, even though it absolutely succeeds as a self-growth narrative. 

Laura Kay is the author of The Split and Tell Me Everything, both published by Quercus in the United Kingdom. Wild Things is her first novel published in the United States. She lives in East London.

El is in a rut. She's been hiding in the photocopier room at the same dead-end job for longer than she cares to remember, she's sharing a flat with a girl who leaves passive-aggressive smiley face notes on the fridge about milk consumption and, worst of all, she's been in unrequited love with her best friend, effortlessly cool lesbian Ray, for years. So when a plan is hatched for El, Ray, and their two other closest friends—newly heartbroken Will and karaoke-and-Twilight-superfan Jamie—to ditch the big city and move out to a ramshackle house on the edge of an English country village, it feels like just the escape she needs. Despite being the DIY challenge of a lifetime, the newly named Lavender House has all the markings of becoming the queer commune of the friends' dreams. (will has been given a pass as the gang's Token Straight.) But as they start plotting their bright new future and making preparations for a grand housewarming party to thank the surprisingly but wonderfully welcoming community, El is forced to confront her feelings for Ray—the feelings that she's been desperately trying to keep buried. Is it worth ruining a perfectly good friendship for a chance at love? 

Found family is probably this book's biggest trope—if you love cozy reads, if you love found family, if you've ever want to uproot and move to the countryside, then this is your book. My favorite moments were watching as Jamie wrangled the Twilight chickens, when El let go of her inhibitions and sang karaoke, when the gang were redoing Lavender House to make it a home. There's also a whole storyline where El volunteers with young adults and forms kinship-esque connections. Truly, this book is all about how we can choose our family (while also examining how we can maintain/accept our biological family).

If you, like me, came to this book for the romance, then I have to warn you: it's not like a lot of the romance books that sit on the romance shelves that we've come to know and love. While this one certainly fulfills some tropes—friends to lovers, forced proximity, slow burn—the focus of the novel is not the romance between Ray and El. Rather, the focus of the book is on El's self-growth—her ability to participate in "wild" activities outside of her comfort zone, her learning how to navigate the world around her, her interacting with her new world and who she wants to be inside of it. The romance does play a part, and I will say that I love the "crush" narrative, because I love the normalize having crushes outside of high school/adolescence! Even so, this book is not a romance novel. 

I have a lot of thoughts about romance as a genre, and I figure that I will share them here, because this book has really helped further shape my thoughts on this. I believe that "women's fiction" is a sexist misnomer. Fiction that is written for an audience of women is fantastic and it needs to be written. But we don't have a "male fiction" designation, so why would women need a specific classification? Why can't we just shelf it all as fiction? I'm not sure if reading communities are moving away from the "women's fiction" classification; but what I do know is that we (women who read fiction) are gravitating towards romance. Wild Things is shelved as a romance because it is a fiction novel written for women that is probably meant to appeal to the women who read fiction audience. While it certainly does appeal to me as a woman who reads fiction, it does not appeal to me as a woman who reads romance novels. It just does not read like a romance novel the way that we've come to think of as romance novels! Wild Things is general fiction, and is a wonderful, cozy, romantic, and wholesome. However, continuing to shelf it as a romance novel is doing it a disservice, and I could say the same for every general fiction book that is making its way into romance sections because we are somehow refusing to allow fiction written for a primarily female audience to sit in fiction sections. 

I will definitely recommend Wild Things to my friends who love cozy and charming fiction novels, and can't wait to include it in some cozy round-ups! Laura Kay is a wonderful writer, and I hope she does get some more books in the US market. 

*This review can also be found on my Goodreads page*

Comments

Popular posts from this blog

The Lovely Bones Book vs. Movie Review

The Lovely Bones book cover I am a firm believer that the book is always better than the movie/tv series. I could point you to multiple examples where the characters were botched on screen, or plot holes prevailed. The statement that the book is better than the movie usually holds true However, with the increased use of streaming services and the increased utilization of published book material being pulled into the movie/tv world, more and more of our familiar stories are being put to the screen, and hence being put to the test. Some pass: despite some alterations and plot changes, the story and characters remain relatively the same, which bolsters excitement from the fan base. However, others don't, and screenplays that drastically alter the storyline leave fans wishing for a do-over. I definitely have some conflicted feelings regarding The Lovely Bones  and its book-to-movie adaptation. I really did like the book. It's not my favorite, or by any means the best book

Best Louisa May Alcott Quotes from Little Women with Chapter Numbers

  Louisa May Alcott (1832-1888) was an American writer best known for her novel Little Women and its sequels, Little Men and Jo's Boys , which were inspired by her own family. She was raised by transcendentalist parents in New England and grew up knowing many prominent intellectuals, including Emerson, Hawthorne, Thoreau, and Longfellow. Below, find the best quotes from  Little Women  with their corresponding chapter numbers! Little Women Let us be elegant or die. Volume 1 Chapter 3 I like good strong words that mean something. Volume 1 Chapter 4 There are many Beths in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind.  Volume 1 Chapter 4 Watch and pray, dear; never get tired of trying, and never think it is impossible to conquer your fault. Volume 1 Chapter 8 My child, the tro

The Bronze Key Book Review

To be destroyed from within is more dangerous than having an outside enemy. It's easy to turn against the people you thought you knew and trusted when a mysterious spy enters the story. With this new enemy, the kids of the Magisterium face a new threat, one they can't see. The third book in the Magisterium series is cleverly crafted; the authors point readers to where they want us to look, so no one can guess what's coming. Striking and heartbreaking, with such a crazy cliffhanger, Holly Black and Cassandra Clare succeed again at writing another well-paced, action-packed, complex middle grade novel.  Holly Black and Cassandra Clare first met over ten years ago at Holly's first-ever book signing. They have since become good friends, bonding over (among other things) their shared love of fantasy. With Magisterium, they decided to team up to write their own story about heroes and villains, good and evil, and being chosen for greatness, whether you like it or not. Holly is